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Cranach, Lucas I --- Eyck, van, Jan --- Meester van het Leven van Maria --- Dürer, Albrecht --- Laib, Conrad --- Burgkmair, Hans [Ältere] --- Caravaggio, da, Michelangelo M. --- Bruyn, Barthel --- Master of the Drapery Studies --- Riemenschneider, Tilman --- Joest van Calcar, Jan --- Cleve, van, Joos --- Holbein, Hans [Younger] --- Breu, Jörg I --- Panel painting, German --- Panel painting, Renaissance --- -Renaissance panel painting --- German panel painting --- -Panel painting, German --- Caravaggio --- -German panel painting --- Renaissance panel painting --- Painting [German ] --- Congresses --- Painting [Renaissance ] --- Germany --- Germanisches Nationalmuseum (Nuremberg, Germany)

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"Maerten van Heemskerck (1498-1574) was one of the most active and inventive Dutch painters of the sixteenth century. Over the course of his long career, he created lively mythological scenes, dramatic altarpieces for guilds, and smaller works for wealthy individuals. Several of his religious paintings were destroyed by Protestant iconoclasts in 1566. One of his extant masterpieces, the Ecce Homo triptych of 1544, once graced the family chapel of Jan van Drenckwaerdt, a wealthy merchant and sheriff, in Dordrecht's Augustinian church. This unusually complete triptych, with its original decorated frame, was brought from the National Museum in Warsaw, Poland, for treatment and study at the J. Paul Getty Museum as part of the Conservation Partnership program. Richly illustrated, the book documents the dramatic process of revealing the brilliance of a sixteenth-century masterpiece, and it sheds light on the artist's technique, iconography, and the role of the altarpiece in the turbulent history of the era. Drama and Devotion accompanies an exhibition at the J. Paul Getty Museum that opens June 5, 2012"--

altarpieces --- Conservation. Restoration --- painting techniques --- ecce homo --- Heemskerck, van, Maarten --- Altarpieces, Renaissance --- Panel painting, Renaissance --- Panel painting, Dutch --- Altarpieces --- Panel painting --- Painting --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Dutch panel painting --- Renaissance panel painting --- Renaissance altarpieces --- Conservation and restoration --- Heemskerk, Martin van, --- Retables de la Renaissance -- Pays-Bas -- Dordrecht (Pays-Bas) -- Catalogues d'exposition --- Peinture sur panneau de la Renaissance -- Pays-Bas -- Dordrecht (Pays-Bas) -- Catalogues d'exposition --- Retables -- Conservation et restauration -- États-Unis -- Californie (États-Unis) --- Peinture sur panneau -- Conservation et restauration -- États-Unis -- Californie (États-Unis)

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"In a study of sixty neglected panel paintings from Roman Egypt, the authors present evidence for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance"--Provided by publisher.

Panel painting, Greco-Roman --- Panel painting, Medieval. --- Panel painting, Renaissance. --- Icon painting --- Christian art and symbolism --- Peinture sur panneau gréco-romaine --- Peinture sur panneau médiévale --- Peinture sur panneau de la Renaissance --- Peinture d'icônes --- Art et symbolisme chrétiens --- Influence --- Egypt --- Egypte --- Antiquities, Roman. --- Antiquités romaines --- panel painting [image-making] --- Christliche Kunst. --- Ikone. --- Malerei. --- Tafelbild. --- Antique, the --- Painting --- religious art --- Christian religion --- iconography --- Ancient history --- Iconography --- Frühchristentum. --- Kunst. --- Panel painting, Medieval --- Panel painting, Renaissance --- Icons --- Miniature painting --- Renaissance panel painting --- Greco-Roman panel painting --- Medieval panel painting --- Influence.

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Panel painting --- Panel painting, Dutch --- Panel painting, German --- Panel painting, Italian --- Panel painting, Medieval --- Panel painting, Renaissance --- Peinture sur panneau hollandaise --- Peinture sur panneau italienne --- Peinture sur panneau médiévale --- Peinture sur panneau de la Renaissance --- Catalogs --- Catalogues --- Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster --- Catalogs. --- -Panel painting, Medieval --- -Panel painting, Renaissance --- -Panel painting, Dutch --- -Panel painting, Italian --- -Panel painting --- -Painting --- Renaissance panel painting --- Medieval panel painting --- Italian panel painting --- Dutch panel painting --- German panel painting --- -Catalogs --- Peinture sur panneau médiévale --- Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster --- -#GROL:SEMI-7<036> Muns --- Painting --- Landschaftsverband Westfalen-Lippe. --- North Rhine-Westphalia (Germany). --- Westfälisches Landesmuseum Münster --- Westphalian Museum of Art and Cultural History --- Landesmuseum für Kunst und Kulturgeschichte Münster --- LWL-Landesmuseum für Kunst und Kulturgeschichte, Münster --- Landschaftsverband Westfalen-Lippe --- #GROL:SEMI-7<036> Muns --- panel painting [image-making] --- Westfälisches Landesmuseum für Kunst und Kulturgeschichte [Münster] --- anno 1500-1599 --- Germany --- Italy --- Netherlands

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Surviving pre-Eyckian panel painting of around 1400 is in short supply, but more remains than was thought. At present the list of works to be studied includes some thirty objects in collections in Belgium and elsewhere. In the first volume ten objects, which in fact constitute the majority of pre-Eyckian works in Belgian collections, are documented as thoroughly as possible. Their interpretation is underpinned not only by classic art historical analysis but also by macro-photography, X-radiography, infrared photography and reflectography, dendrochronological data and, in so far as was feasible or justifiable, laboratory analysis of pigments and binding media. The research has benefited to the full from the expertise of the many specialists of the IRPA/KIK. In volume two of this publication are a number of individual contributions by ‘guest authors’. They cover diverse topics, ranging from specific technical observations regarding one noteworthy feature or group of works, to historical context, peripheral iconographic phenomena, aspects of restoration, and the exploration of Ghent’s archives by way of a case study.

History --- Painting --- panel painting [image-making] --- Netherlandish --- Late Medieval --- History of the Low Countries --- technical art history --- anno 1400-1499 --- Panel painting, Flemish --- Panel painting, Gothic --- Peinture sur panneau flamande --- Peinture sur panneau gothique --- Peinture --- Expertising --- Expertise --- Panel painting, Renaissance --- Christian art and symbolism --- Broederlam, Melchior, --- paneelschilderkunst --- technieken --- middeleeuwen --- iconografie --- restauratie --- kleur --- Broederlam, Melchior --- 15de eeuw --- Zuidelijke Nederlanden --- Frankrijk --- Italië --- Renaissance panel painting --- Flemish panel painting --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Netherlands --- 15th century --- 14th century --- Symbolism in art --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- Kunstgeschiedenis --- Schilderkunst --- Middeleeuwen --- Panel painting, Flemish - 15th century --- Panel painting, Flemish - 15th century - Catalogs --- Panel painting, Renaissance - Flanders --- Panel painting, Renaissance - Flanders - Catalogs --- Christian art and symbolism - Flanders - Medieval, 500-1500 --- Christian art and symbolism - Flanders - Medieval, 500-1500 - Catalogs --- paneelschilderkunst. --- technieken. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- iconografie. --- restauratie. --- kleur. --- Broederlam, Melchior. --- 15de eeuw. --- Zuidelijke Nederlanden. --- Frankrijk. --- Italië. --- Peinture sur panneaux --- Peinture flamande --- Signes et symboles --- Flandre (comté) --- 15e siècle --- Dans l'art